Please use this identifier to cite or link to this item:
http://hdl.handle.net/2282/1033
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| Title: | Om kadensformlene i springar og pols |
| Authors: | Omholt, Per Åsmund |
| Issue Date: | 2007 |
| Abstract: | This article focuses on the variety concerning the “cadenza formula” in the
springar- and pols-types in the older Norwegian fiddle-music repertoire. For
scholars, in transcribing the variety of local types of springar- and pols music,
the placement of the cadenza formula in its rhythmical contexts has been
important in order to define where to place the bar line. In the article I discuss
the systematics normally presented concerning this topic.
The cadenza formula can be realized in several ways. Some versions of the
formula and its appearance in different longer, conventionalized phrases seem
to have a significant geographical distribution. In some regions, the shape of
such phrases may reflect an adaptation towards classical, tonal cadenzas. |
| Keywords: | Folkemusikk
Norge
Slåtter |
| Publisher: | Novus forlag |
| Document type: | Journal article |
| URI: | http://hdl.handle.net/2282/1033 |
| Appears in Collections: | Institutt for folkekultur
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